Today was pretty awesome, actually. Got up and went out to see family that John was fixing computers for. Nice to see her again, plus she gave us a bag of clementines and me a new hat. Sort of a blue-purple very-thick-knit cloche with a pin that has a bunch of feathers on the side. It is the kind of thing I have always thought of as an old lady hat and I do not care, it is pretty. And warm. Besides, I am past thirty, I get to wear this kind of thing without needing to make a point of being ironic.
Stopped for lunch (possibly breakfast) at a new diner (well, diner under new management) that's not too far from out place. I liked it, will be looking to go back. Stopped home and then went out to see
RED, which was pretty much what I expected and I am still really glad we got to see it on the big screen. Partly the big screen, yes, but the lack of distractions made it much easier to get into the movie.
Not once did the pets interrupt.
Then we went by Chapters. Really, I am having trouble respecting bookstores anymore. There is so much
junk, and hardly any of the books I am looking for. John maintains I should stay home and shop online, but I figure wandering around the shelves gives me a chance to see something I would not have known about anyway.
And I did. Any you know what? It was all either "[classic lit] + [monster]" or zombies.[1] Plus the stuff I expected to see, which was a solid dose of the
Buffy the Vampire Shagger genre, King, Koontz, and the Usual Names.
( Tangent, on zombies. )...right, that did kind of get away from me. As you were. :)
---
[1] Except another Vandermeer anthology, which led to the observation that John is more tired of steampunk than zombies because he hangs around people who squee a lot more over steampunk. I asked him who the hell he was hanging around with. He said me.
[2] I mean, consider the vampire. Yes, the basic idea of the monster is horrific, but at this point I think some variation of the phrase "he's not sparkly, he's a
real vampire" would creep into a lot of explanations of that. And when the sparkle gets so deeply associated with the perception of the monster, when it becomes not only familiar but banal, the story-telling power of the tool is weakened.
Of course, you can also say that the association of "destroy the head, and it's okay" with the zombies is an idea with a similarly neutralizing effect on the horror of the monster. Associates them with a purely mechanical solution, takes the focus away from what they are... And I suspect this shorthand, this taking the focus away from the zombie, is what allows zombie stories to be about people.
Okay. Footnote getting way too long, back to text.
[3] Or radiation from a downed satellite, or whatever.